While most writers know that book titles can’t be copyrighted, we have yet to see another Moby-Dick or Gone with the Wind. What’s far more common, as this site shows, is using same cover art for many different books.
Doesn’t every writer love a good malapropism? This NY Times article reminded me of my days living in Taipei, when I’d encounter various bizarre English translations. Visitors to Shanghai won’t be able to enjoy similar mistakes much longer, thanks to the Shanghai Commission for the Management of Language Use, which is fixing everything from menus to street signs. So long to menus listing “monolithic tree mushroom stem squid” and restroom signs reading “urine district.” Check out the Times slide show for a few hilarious examples, including the one below.
Speaking of being lost in translation: From Jhumpa Lahiri to Chuck Palahniuk to Donald Barthelme, authors’ names are often mispronounced with such authority that soon even the correct pronunciation sounds wrong. Click here for a guide.
I rather enjoyed this Life magazine slide show entitled “Famous Literary Drunks & Addicts.” If nothing else, it made me feel pretty healthy by comparison.
Having trouble jump-starting your latest story? The American Book Review lists the best 100 first lines from novels here … it’s inspiring, if a little intimidating.
And finally — and definitely inspiring — is this blog from Alan Rinzler on finding courage as a writer, with such advice as not being afraid to talk to yourself, to let things simmer, and to start over.
I can still remember the first story I ever wrote, when I was maybe eight or nine years old, on school notebook paper in what was then my fairly neat, legible handwriting. I think it may also have been illustrated. Perhaps because, back in my day, we still wrote high-school English papers by hand (I had a word processor in college but didn’t get my first computer until graduate school — and yes, that does make me feel old), I still often write out scenes by hand. I find writing longhand especially helpful when writing a first draft, or when polishing a close-to-final one. I’ve always loved what Natalie Goldberg says about writing by hand: “Arm connected to shoulder, chest, heart.”
But I do remember taking both computer and typing classes (on actual typewriters). And these days, nothing makes you feel quite as old as admitting you used to write by typewriter. Often, while visiting the Seattle Museum’s Olympic Sculpture Park, I would hear people younger than me wondering what this odd sculpture is:
(Note to young people: It’s a typewriter eraser. We use to employ these to get rid of typos before we had backspace buttons and the delete key.)
Eventually, the keyboard took the place of the pen and the notebook in my academic life, and even in my writing life. But not for long: I always continued to write by hand, whether taking notes during an interview or scrawling out an outline. And now I use some combination of the two.
Many writers are particular, even superstitious, about the way they get their words on the page. I enjoyed discovering this site featuring Authors A-Z, “an ongoing project featuring the lives, works, and typewriters of the most outstanding authors around the world.” Here, you’ll find out that Harper Lee wrote on an Underwood portable. That Joseph Heller used an SCM Smith Corona Electra. That even Joyce Carol Oates has rejected the computer: She writes in longhand, then types her notes into scenes using “a Japanese made Swintec 1000 electronic typewriter with ‘a little memory’ but no screen.”
And if you’re interested in owning a piece of these antiques, here’s even an (expensive) online store where you can browse old typewriters and jewelry made of their keys. (Check out eBay and flea markets, too.) Over the last few years, my husband and I have been picking up typewriters here and there (we have three Underwoods and and have recently added a Remington), and will probably keep adding to the collection, at least until we run out of space. Only one of ours is in any sort of working condition, but that’s not why we bought them. Even bent and broken, with sticky keys and dried-out ribbon, we think they’re pretty cool — maybe because they always look as if they’re smiling.
Given the way our culture celebrates youth (including writers), I really enjoyed this post by Randy Susan Meyers in the Huffington Post: a list of 41 writers whose debut novels were published after they turned 40 (among them: Meyers’ own book, The Murderer’s Daughters, as well as National Book Award winner Julia Glass and Pulitzer winners Paul Harding, Edward P. Jones, and Elizabeth Strout).
For those of you who love short stories (and who doesn’t?!), check out Storyville, an iPhone/iPad app that brings stories directly to your device. It’s $4.99 for six months’ worth of stories — one each week. And even better news for short story (and literary novel) readers: Andrew’s Book Club is back! And there’s already a new pick for the new year. And for both readers and writers, be sure to check out Ashland Creek Shorts, which are available on the Kindle for 99 cents — and we’re now taking submissions!
Maybe it’s our diminishing attention spans, but stories seem to be getting shorter and shorter and shorter. Along with flash fiction, micro fiction, and prose poems, we now have “hint fiction” (check out this NPR story for samples).
As I’m sure you’ve heard by now, The Paris Review has made its interviews available online — an amazing series of author interviews all the way back to the 1950s.
If you draw inspiration from seeing where writers work, in the U.S. there are 73 writers’ houses open to the public, including Norman Mailer’s and Edith Wharton’s.
And did you know that for 90 percent of what we communicate, we use only about 7,000 words? We’re losing words from the English language every day, and Oxford University Press hopes to save them with Save the Words, where you can visit with long-lost words and offer up your own words for safekeeping.