Category: On publishing


An interview with CROWS OF BEARA author Julie Christine Johnson

By Midge Raymond,

We are thrilled to announce the publication of Julie Christine Johnson’s novel The Crows of Beara, which was a finalist for the 2014 Siskiyou Prize for New Environmental Literature. In this Q&A Julie talks about her inspiration for the novel, her first book, and what’s new in her writing life. 

 

Q: What inspired you to write The Crows of Beara?

A: I first traveled to Ireland in 2002 to hike the Beara Way. The peninsula, and the experience, turned my soul inside out. Never have I been more homesick for a place I couldn’t actually call home. Many hikes in Ireland later and I knew I’d be writing about it someday.

When I began sketching out characters and ideas for a novel in January 2014, I knew it would be set in Ireland and have an Irish legend or some element of magical realism woven through it. I just didn’t know where in Ireland or which legend.

I happened upon the poetry of Leanne O’Sullivan, who was raised on the Beara Peninsula and teaches poetry at University College Cork. Her collections, An Chailleach Bheara, which tells the story of the legend of the Hag of Beara, and The Mining Road, which was inspired by the late 18th century copper mining industry and the miners who toiled there, brought me, almost overnight, to my novel.

I knew before I began that my central character, Annie, would be an addict trying to put her life back together. Once I had my themes of environment vs. economic growth, an Irish legend based on the strength and resiliency of women, and of the Irish culture, and the healing power of art, the words poured out of me. I wrote the first draft in ten weeks.

Q: When did you decide you wanted to be a writer? How did that lead to where you are today?

A: I read Louise Fitzhugh’s classic Harriet the Spy when I was six years old and that was it: I knew I’d be a writer someday. That someday took another thirty-five years to come around. I took my first writing workshop in October 2010 and the floodgates opened. After all the years of dreaming about writing, I finally found the courage to set my words free.

Q: Where do you find inspiration for your plots and characters?  Are you inspired initially by the plot or do the characters come to you first?

A: I believe that story comes from character. Characters are why we read, why we are changed by what we read. Plot is a means to move them through their lives, to tell their story.

Each of my novels and short stories has a different genesis. In Another Life came from an image of Lia and Raoul that rose in my mind during a stay in Languedoc; researching the history of the region opened the door to their story.

I wanted to set my second novel, The Crows of Beara, in Ireland, but when I began sketching out characters, that’s all I knew. The characters led me to themes of addiction and the healing power of art. A chance encounter with a book of poetry gave me the exact location in Ireland, and that led me to construct a plot around copper mining and animal conservation, with a thread of magical realism woven through. Last summer I studied with that poet—Leanne O’Sullivan—in the very spot where my novel is set (Beara Peninsula). A dream come true!

Two characters led the way into my third novel, UPSIDE-DOWN GIRL: an American woman dealing with child loss and a little girl in New Zealand who is living on the edge of society. The plot is how those two souls come together.

Q: What is your writing process like? Do you write an outline and do you write every day?

A: When I began my first novel, In Another Life, I had a beginning, a handful of characters, but I had no middle or end; I wrote scenes out of order. About two-thirds into a first draft, I had 140,000 words and no sense of where I was going or how it would ever end. I stopped in my tracks, started from the beginning, cleaning up as I went along, putting things in order.

I’m still a pantser at heart. I don’t start with an outline, I don’t edit as I draft, I let it all pour out. But I began The Crows of Beara, as I do all my novels since the first, with character sketches. Characters bring me to my themes, my story and eventually, the plt.

Once I’ve got a solid first draft in hand, I use Michael Hague’s brilliant Six Stage Plot structure to discover and refine my character arcs. And I keep a process notebook for each novel, working out plot holes, asking myself questions, tracking key details. I draft in Scrivener, but I have to solve problems and plug plot holes in longhand.

I do write every day, but I have several projects going on at once. What I work on any given day is a matter of balancing writing with non-writing life, my energy level, scheduled commitments, and deadlines!

Q: Do you have a particular method or approach to research and writing?  Generally how long does the process take per book?

A: There’s usually an idea whispering away at me—an image, snippet of overheard conversation, something I read in the paper, a place I’ve visited. Holding that idea loosely in my mind, I begin to work on character sketches and follow where those lead. Whom am I writing about and how do they relate to the idea I can’t seem to let go of? I’ll research enough to get a sense of the place, issues, and time as it relates to the plot, but research for me is an ongoing process as the story develops. I try not to set things out too far in advance, preferring to layer in details as I discover where the story is taking me.

The amount of time has varied wildly. It took me eighteen months to finish a first draft of In Another Life; ten weeks for The Crows of Beara; nine months for UPSIDE-DOWN GIRL. I revised and edited the first two novels while writing the third!

Q: What is the hardest or the least favorite part of the writing process for you?

A: The hardest part is coming to the end of the first draft. It’s a very emotional experience for me. The characters and story are so raw, so open and beautiful in their natural state. Although I can’t wait to shape and mold the story in subsequent revisions, there is something pure and deeply personal about the first draft that I hate to let go.

Q: What are some of your favorite books or authors to read? Which books or authors have influenced your writing?

A: Hilary Mantel, Kate Mosse, Colm Tóibín, Anne Enright, Mary Doria Russell, Elizabeth Gilbert, Lily King, Dani Shapiro, Tim Winton, Cormac McCarthy, Jane Austen, William Shakespeare, Thomas Hardy, Jess Walter. I tend to binge on authors. Last year it was Elena Ferrante and Francesca Marciano. This year I’ve joined an online group reading a Virginia Woolf work each month. I’m not a writer of historical fiction per se, so my influences cross a broad spectrum of styles. Many of my favorite historical novels are written by authors whose work spans categories and genres. Hilary Mantel blows my mind. In Wolf Hall and Bring Up the Bodies, set in 16th-century England, she opens up her world, sets a tone, and gets on with it. The “historical fiction” aspect of her work never dominates the characters and their stories. David Guterson’s Snow Falling on Cedars showed me how creating a sense of place can be poetic, and how to connect readers viscerally with an era through the emotional power of character. Mary Doria Russell. Shoot. There’s nothing she can’t do. Ditto Margaret Atwood!

Reading is not only my escape, I consider it an essential part of my job description as a writer. I have at least two books going at any one time, a novel, a volume of poetry, and some sort of writing guide as inspiration and motivation.

Q: What one piece of advice would you share with aspiring authors?

A: It takes a village to publish a book. No matter which path to publishing you take, traditional or independent, you cannot do it alone. Find mentors—writers at different stages of their careers—and listen, watch, learn. Ask questions, be humble, and don’t wait—reach out now. Writers’ blogs, Facebook groups, Twitter chats are all great resources for connecting with writers and finding your tribe. Reach out in both directions—up and back. Always be willing to help someone right behind you.

And always, always be working on your next story. Don’t sit hitting refresh on your e-mail when you begin sending out queries or your novel is on submission with editors. The process can take months, a couple of years, even. Always be writing the next book. The first thing my now-agent asked me after reading and expressing enthusiasm for In Another Life was, “What else do you have?” I sent her a draft of my second novel and I had an offer of representation by the end of the week.

The Crows of Beara is “a captivating tale of our yearning to belong and the importance of following this ancient call” (award-winning author Kathryn Craft), and “like Ireland itself, The Crows of Beara pulls at something deep inside the reader and won’t let go” (USA Today bestselling author Kelli Estes).

Learn more about Julie and The Crows of Beara here

Our 2017 Siskiyou Prize judge is Jonathan Balcombe

By Midge Raymond,

We are thrilled to announce that our 2017 Siskiyou Prize judge is Jonathan Balcombe.

Jonathan’s most recent book is the New York Times bestseller What a Fish Knows: The Inner Lives of our Underwater Cousins, an extraordinary journey underwater that reveals the vast capabilities of fishes. He is also the author of the books The Exultant Ark, Second Nature, Pleasurable Kingdom, and The Use of Animals in Higher Education.

Jonathan has three biology degrees, including a PhD in ethology (the study of animal behavior) from the University of Tennessee, and has published more than 50 scientific papers on animal behavior and animal protection. Formerly department chair for Animal Studies with the Humane Society University and senior research scientist with the Physicians Committee for Responsible Medicine, Jonathan is currently Director of Animal Sentience with the Humane Society Institute for Science and Policy in Washington, DC. Learn more at jonathan-balcombe.com.

This year marks our fourth annual Siskiyou Prize, and we are delighted to be offering a $1,000 prize and a four-week writing residency thanks to the generosity of our amazing prize partner PLAYA. All manuscripts submitted for the prize will be considered for publication by Ashland Creek Press.

Please visit the Siskiyou Prize website for complete details about the prize — submissions open September 1, 2017. We look forward to reading your work!

Cat Editors: AMONG ANIMALS contributor Suzanne Kamata

By Midge Raymond,

Among Animals contributor Suzanne Kamata’s new book, The Mermaids of Lake Michigan, has just been released, and she also has a new cat editor, a Siamese named Mii.

My son found her by the riverbank, or rather she found him. She has been a delightful addition to our household. She often traipses across the keyboard while I am writing, adding characters as she goes. Not sure exactly what she’s trying to tell me, but I’m trying to figure it out!

Congratulations to Suzanne! Learn more about her work here and here, and click here to check out Among Animals.

Announcing the short story collection Forgetting English

By John Yunker,

“Raymond’s prose often lights up the poetry-circuits of the brain…”   — The Seattle Times

I’m pleased to announce that Ashland Creek Press has published the third edition of Midge’s Raymond’s award-winning short story collection, Forgetting English.

In this new, expanded edition of her prize-winning collection, which includes a reading group guide, Midge Raymond stretches the boundaries of place as she explores the indelible imprint of home upon the self and the ways in which new frontiers both defy and confirm who we are.

The characters who inhabit these stories travel for business or for pleasure, sometimes out of duty and sometimes in search of freedom, and each encounters the unexpected. From a biologist navigating the stark, icy moonscape of Antarctica to a businesswoman seeking refuge in the lonely islands of the South Pacific, the characters in these stories abandon their native landscapes—only to find that, once separated from the ordinary, they must confront new interpretations of whom they really are, and who they’re meant to be.

Forgetting English won the Spokane Prize for Short Fiction. Here’s what two reviewers had to say:

“Raymond has quiet, unrelenting control over the writing; each story is compelling and thrives because each detail and line of dialogue reveals just a little more about the characters and the evocative settings.” —The Rumpus

“All of her stories are heartbreakingly honest … I wouldn’t be surprised if she started getting compared to Alice Munro or Jhumpa Lahiri.” — Seattle Books Examiner

Learn more.

 

 

On Valentine’s Day, Love Rhymes with Everything!

By Midge Raymond,

Valentine’s Day is the perfect day to launch our newest title, Love Rhymes with Everything: Animal Ruminations through Poetry & Paintings.

This beautiful book is the result of a unique collaboration among artist, poet, and publisher, all of whom have volunteered their time, skills, and resources to create a full-color art book that will delight and entertain — as well as benefit animal rescue organizations!

In Love Rhymes with Everything, you’ll meet sanctuary animals and beloved pets, rescues and strays now living in peace among their own, or in forever homes with their human families. You’ll meet cows and pigs, dogs and fish, chickens and ducks, cats and goats — and many more.

You’ll see the beautiful faces of these exquisite creatures captured by Dana Feagin’s whimsical paintings, and you’ll hear their voices in Kat von Cupcake’s affecting poetry. In this collection of rescued and beloved animals, you’ll learn that, for these fortunate animals, love truly can conquer all — and, with all proceeds from this book benefiting animal rescue organizations, that love stretches far beyond these pages.

Every penny from the sales of Love Rhymes with Everything will benefit animals; visit the book’s web page to see which animal organizations — including Karuna for Animals, Sanctuary One, and The Sanctuary at Soledad Goats — are selling the book, and buy directly to support them.

If you’re with a rescue organization and would like copies of Love Rhymes with Everything for fundraising purposes, please visit our Nonprofit Partners page.

And for all of you in Southern Oregon: Join us for our book-launch event on Sunday, February 26, at South Stage Cellars in Jacksonville. South Stage Cellars has generously donated its tasting rooms for the event, and all proceeds from this launch party will benefit Sanctuary One. Click here for more details!