As always, there is no submission fee for regular book submissions, but please carefully review the types of books we’ve published so far, as this is a good indicator of what we’re looking for.
Writing for Animals Anthology
We are 90% complete with articles for this forthcoming anthology of essays for writers. But we’re still looking for one or two more excellent essays, and submissions will remain open until March 31, 2017.
Thanks for your continued support of Ashland Creek Press.
We are delighted to announce the winner of the 2016 Siskiyou Prize for New Environmental Literature: Katy Yocom, for her novel THREE WAYS TO DISAPPEAR.
Judge JoeAnn Hart writes, “THREE WAYS TO DISAPPEAR begins with a focused lens on the endangered Bengal tiger then expands its reach with every page to reveal the interconnectedness of the natural world and fragility of all life. Weaving together the worn threads of ecological balance, this ambitious and moving novel addresses scarcity, climate change, family dynamics, cultural conflict, human accountability, women’s economic autonomy, and most of all, love, in all its wondrous forms. This is a story not just about saving the tigers, but ourselves.”
Katy Yocom was born and raised in Atchison, Kansas. After graduating from the University of Kansas with a degree in journalism, she moved to Louisville, Kentucky, where she has lived ever since. Her fiction, poetry, essays, and journalism have appeared in Salon.com, The Louisville Review, decomP magazinE, StyleSubstanceSoul, and Louisville Magazine, among other publications.
In conducting research for her novel, THREE WAYS TO DISAPPEAR, she traveled to India, funded by a grant from the Elizabeth George Foundation. She has also been awarded grants from the Kentucky Foundation for Women and the Kentucky Arts Council and has served as writer-in-residence at Kimmel Harding Nelson Center for the Arts, Crosshatch Hill House, and Hopscotch House. Her short fiction has been nominated for a Pushcart Prize, and her poetry has been translated into Bulgarian. She holds an MFA in Writing from Spalding University.
She lives with her husband in Louisville, Kentucky, where she helps direct Spalding’s low-residency MFA in Writing program. Learn more about Katy on her website and via Facebook.
As the Siskiyou Prize winner, Katy will receive a four-week residency at PLAYA and a $1,000 cash prize.
It was a very competitive contest this year, and we would also like to congratulate the finalists and semifinalists:
Small Small Redemption: Essays by Sangamithra Iyer
The Heart of the Sound: A memoir by Marybeth Holleman (published by Bison Books)
Song of the Ghost Dog: A YA novel by Sharon Piuser
Karstland: A novel by Caroline Manring
Rumors of Wolves: A novel by C.K. Adams
The Harp-Maker of Exmoor: A novel by Hazel Prior
Thanks to everyone who submitted and to everyone who writes with the goal of making this world a better place. And please stay tuned for announcements for the next Siskiyou Prize!
This is the third year of the Siskiyou Prize for New Environmental Literature, and we’re pleased to see it gaining momentum and awareness. Now more than ever we need a chorus of creative and passionate voices speaking up for the planet and all of its species.
This year, we received more than a hundred submissions, which included a wide range of fiction, short story and essay collections, memoirs, nonfiction nature books, and a number of previously published works in all categories. We began reviewing submissions when the contest opened in September of last year and have been reading steadily since then.
Every manuscript was given careful consideration, and the decision-making process was very difficult, given the exceptional quality of this year’s entries. As much as we love this contest, the hardest part is having to narrow the list down to only a few titles. It’s a completely subjective process, of course, and we thank all who contributed their work to this year’s prize.
We are delighted to announce the finalists and semifinalists:
Three Ways to Disappear
A novel by Katy Yocom
Small Small Redemption
Essays by Sangamithra Iyer
The Heart of the Sound
A memoir by Marybeth Holleman
Published by Bison Books
Song of the Ghost Dog
A novel by Sharon Piuser
A novel by Caroline Manring
Rumors of Wolves
A novel by C.K. Adams
The Harp-Maker of Exmoor
A novel by Hazel Prior
The four finalists will move on to final judging by JoeAnn Hart.
We hope to announce a winner in the next month or so. To be among the first to hear the announcement, stay tuned to this blog or subscribe to our newsletter.
Again, thanks to everyone who submitted and everyone who writes with the goal of making this world a better place. We appreciate your support!
It’s been wonderful to see so many fine writers tackling the issues of the environment and animal protection through great stories, novels, memoirs, and essays — and we are pleased to be offering this prize for a third year. This year, we have one exciting change to announce: In addition to unpublished work (all of which will be considered for publication by Ashland Creek Press), we are also accepting published book submissions for the Siskiyou Prize. Please click here for full details.
This year, we’re delighted to have JoeAnn Hart as our final judge. JoeAnn is the author of two novels, Addled (Little Brown, 2007) and Float (Ashland Creek Press, 2013). JoeAnn’s essays, articles, and short fiction have appeared in a wide variety of literary journals and national publications, including Orion, Newfound, Terrain.org, and the Boston Globe Magazine. Her work has won a number of awards, including the PEN New England Discovery Award in Fiction. To learn more about JoeAnn, click here.
The 2016 prize winner will receive $1,000 and a four-week residency at PLAYA. All Siskiyou Prize submissions will be considered for publication from Ashland Creek Press. Visit the Siskiyou Prize website for complete details and to submit.
The deadline for submissions is December 31, 2016. Also, please note that we will be closed to regular book submissions until further notice in order to focus on prize submissions.
A book launch can be a daunting process, and many authors wonder how hiring a publicist can help the process. Learn more in this interview with author, publicist, and media specialist Jen Coburn — and see below for Jen’s contact info.
Q: What value can a publicist bring to an author and his/her book?
A: A good publicist lets authors get back to doing what they love — writing. There are very few authors who enjoy developing media pitches and social media strategies to promote their books, and yet they know it is critical to their success. The equation is very simple: The more people know about a book, the more will read it. A publicist helps get a book in front of as many prospective readers as possible through social media, traditional media, and events.
Q: How much can an author expect to spend when working with a publicist?
A: It really depends on how much of the heavy lifting a writer wants to take on. I’ve had authors do a simple two-hour consultation for $250, where we discuss good traditional media angles and social media strategies that they develop and execute. I also work with authors who have me manage their social media for them on a daily basis, which is a more substantial investment. When I do a prepublication media campaign, it typically runs $2,500 to $3,500.
Q: Ideally, when should an author approach a publicist for help with his/her book?
A: Ideally six months prior, though that rarely happens. I’ve had authors contact me three months prior to publication, which is good. One called me two weeks before her book came out. It was a mad rush, but we made it work and got her on TV and in several newspapers.
Q: How can publicists help authors when their books have been out for a year or more?
A: Great question. There are still many ways an author can promote his or her book after it’s been out on the market for a while. Writing op-eds and essays that include the name of their book in the byline is one way. Another way to boost sales is by offering a special price break then promoting like crazy on social media.
Q: What is the author’s role when working with a publicist?
A: Authors need to be open to new approaches while also remaining true to their own style. I’m very flexible to work with, but my one hard and fast rule is that I never let an author go on TV without my doing a media training with me beforehand. I’ve been working with producers for more than 20 years, and I can blow those relationships in a moment if I put someone on camera who hasn’t been adequately prepped.
Q: What questions should an author ask a publicist he/she is considering working with?
A: What type of coverage they believe they can realistically get for an author. I once had an author ask me if I’ve ever declined to work with anyone, which I thought was an interesting question that led to a great conversation. I have turned down authors because I don’t feel we’d be a good match. If I don’t love their book, or I honestly don’t think there’s a good news angle to be developed, I will pass on a project. Basically, I’d recommend choosing a publicist the same way you’d hire anyone — share your priorities, listen to their approach, and keep your BS radar on. There are lots of great publicists to work with. Choose the one who seems genuinely excited about the success of his or her clients.
Q: Do you have any success stories you’d like to share?
A: Just last week, an author I work with jumped to the #1 spot on the Amazon bestseller list for historical fiction 10 months after initial publication. She called me a few weeks earlier to brainstorm ideas on promotion and we developed a social media campaign around a price reduction. She is a great client — always willing to try new things and good about pushing back when a suggestion doesn’t feel right to her. I adore working with this author and couldn’t be happier for her success.
Jennifer Coburn has been a media relations specialist for more than 20 years and recently started working with authors to help them promote their work on social media and through traditional media. She has partnered with authors who publish with Random House, Simon & Schuster, Sonoma Press, and independently. Jennifer enjoys developing media pitches and crafting strategies to heighten awareness of books and authors. She got her start working with authors after her own books generated press attention that got colleagues asking for advice. Jennifer says she never asks authors to adopt a strategy she has not (or would not) do herself.