Category: Eco-Fiction


Join us for Penguins & Patagonia in October 2018!

By Midge Raymond,

Save the dates: October 29 to November 6, 2018!

Join us and Adventures by the Book on a journey through the majestic land of Patagonia and immerse yourself in the setting that helped inspire My Last Continent and The Tourist Trail.


When John and I volunteered at the Punta Tombo penguin colony in Argentina, helping with a penguin census of the largest Magellanic colony in the world, our experiences with the land, penguins, and dedicated scientists inspired our novels, The Tourist Trail and My Last Continent. Now you can join us for a chance to see this spectacular colony firsthand, learn about its incredible history, and find out how to help conservation efforts in this extraordinary part of the world.


You’ll also have the opportunity to see and experience wildlife in ways you never imagined as we travel from Buenos Aires to Punta Tombo to the UNESCO World Heritage site Peninsula Valdes, where penguins, rheas, guanacos, foxes, sea lions, elephant seals, orcas, and many more stunning creatures reside. We’ll have a uniquely intimate experience with nature based at the private estancia Rincon Chico, accompanied all the way by a team of experienced local guides. (Note: While we’ll experience a lot of wildlife, we won’t be “roughing it” — the activity level will be light to moderate, and the accommodations will be lovely!)

And if you’re up for a further adventure into the icy places of My Last Continent and The Tourist Trail, there is an optional add-on excursion to Antarctica!

This literary & wildlife adventure includes…

  • Welcome dinner & tour in arrival city Buenos Aires
  • Penguin & wildlife excursions, including whale watching, with local guides
  • Signed copies of My Last Continent and The Tourist Trail 
  • …and so, so, so much more!

Reserve your spot before January 31, 2018, for a $300 discount — reservations are limited as this will be an intimate, exclusive tour. Learn more here, and feel free to contact us or Susan McBeth (susan@adventuresbythebook.com) with any questions you have.

Cat Editors: ACP author Julie Christine Johnson and her feline muse

By Midge Raymond,

So many of us writers depend on our Cat Editors to keep us in the chair. Today, we’re delighted to feature author Julie Christine Johnson , whose new novel is The Crows of Beara, out this month. Julie writes of her feline muse:

True to her calico nature, Camille is a one-person cat. When I write at my standing desk, she’s draped over my feet; if the Mac is propped up in my lap, Camille competes for space on my legs or wends herself around my shoulders to chew on my hair. My 13-pound muse.

Julie's cat

Julie Christine Johnson is the author of The Crows of Beara, out this month from Ashland Creek Press, as well as In Another Life (Sourcebooks, 2016). Learn more about Julie & The Crows of Beara here.

An interview with CROWS OF BEARA author Julie Christine Johnson

By Midge Raymond,

We are thrilled to announce the publication of Julie Christine Johnson’s novel The Crows of Beara, which was a finalist for the 2014 Siskiyou Prize for New Environmental Literature. In this Q&A Julie talks about her inspiration for the novel, her first book, and what’s new in her writing life. 

 

Q: What inspired you to write The Crows of Beara?

A: I first traveled to Ireland in 2002 to hike the Beara Way. The peninsula, and the experience, turned my soul inside out. Never have I been more homesick for a place I couldn’t actually call home. Many hikes in Ireland later and I knew I’d be writing about it someday.

When I began sketching out characters and ideas for a novel in January 2014, I knew it would be set in Ireland and have an Irish legend or some element of magical realism woven through it. I just didn’t know where in Ireland or which legend.

I happened upon the poetry of Leanne O’Sullivan, who was raised on the Beara Peninsula and teaches poetry at University College Cork. Her collections, An Chailleach Bheara, which tells the story of the legend of the Hag of Beara, and The Mining Road, which was inspired by the late 18th century copper mining industry and the miners who toiled there, brought me, almost overnight, to my novel.

I knew before I began that my central character, Annie, would be an addict trying to put her life back together. Once I had my themes of environment vs. economic growth, an Irish legend based on the strength and resiliency of women, and of the Irish culture, and the healing power of art, the words poured out of me. I wrote the first draft in ten weeks.

Q: When did you decide you wanted to be a writer? How did that lead to where you are today?

A: I read Louise Fitzhugh’s classic Harriet the Spy when I was six years old and that was it: I knew I’d be a writer someday. That someday took another thirty-five years to come around. I took my first writing workshop in October 2010 and the floodgates opened. After all the years of dreaming about writing, I finally found the courage to set my words free.

Q: Where do you find inspiration for your plots and characters?  Are you inspired initially by the plot or do the characters come to you first?

A: I believe that story comes from character. Characters are why we read, why we are changed by what we read. Plot is a means to move them through their lives, to tell their story.

Each of my novels and short stories has a different genesis. In Another Life came from an image of Lia and Raoul that rose in my mind during a stay in Languedoc; researching the history of the region opened the door to their story.

I wanted to set my second novel, The Crows of Beara, in Ireland, but when I began sketching out characters, that’s all I knew. The characters led me to themes of addiction and the healing power of art. A chance encounter with a book of poetry gave me the exact location in Ireland, and that led me to construct a plot around copper mining and animal conservation, with a thread of magical realism woven through. Last summer I studied with that poet—Leanne O’Sullivan—in the very spot where my novel is set (Beara Peninsula). A dream come true!

Two characters led the way into my third novel, UPSIDE-DOWN GIRL: an American woman dealing with child loss and a little girl in New Zealand who is living on the edge of society. The plot is how those two souls come together.

Q: What is your writing process like? Do you write an outline and do you write every day?

A: When I began my first novel, In Another Life, I had a beginning, a handful of characters, but I had no middle or end; I wrote scenes out of order. About two-thirds into a first draft, I had 140,000 words and no sense of where I was going or how it would ever end. I stopped in my tracks, started from the beginning, cleaning up as I went along, putting things in order.

I’m still a pantser at heart. I don’t start with an outline, I don’t edit as I draft, I let it all pour out. But I began The Crows of Beara, as I do all my novels since the first, with character sketches. Characters bring me to my themes, my story and eventually, the plt.

Once I’ve got a solid first draft in hand, I use Michael Hague’s brilliant Six Stage Plot structure to discover and refine my character arcs. And I keep a process notebook for each novel, working out plot holes, asking myself questions, tracking key details. I draft in Scrivener, but I have to solve problems and plug plot holes in longhand.

I do write every day, but I have several projects going on at once. What I work on any given day is a matter of balancing writing with non-writing life, my energy level, scheduled commitments, and deadlines!

Q: Do you have a particular method or approach to research and writing?  Generally how long does the process take per book?

A: There’s usually an idea whispering away at me—an image, snippet of overheard conversation, something I read in the paper, a place I’ve visited. Holding that idea loosely in my mind, I begin to work on character sketches and follow where those lead. Whom am I writing about and how do they relate to the idea I can’t seem to let go of? I’ll research enough to get a sense of the place, issues, and time as it relates to the plot, but research for me is an ongoing process as the story develops. I try not to set things out too far in advance, preferring to layer in details as I discover where the story is taking me.

The amount of time has varied wildly. It took me eighteen months to finish a first draft of In Another Life; ten weeks for The Crows of Beara; nine months for UPSIDE-DOWN GIRL. I revised and edited the first two novels while writing the third!

Q: What is the hardest or the least favorite part of the writing process for you?

A: The hardest part is coming to the end of the first draft. It’s a very emotional experience for me. The characters and story are so raw, so open and beautiful in their natural state. Although I can’t wait to shape and mold the story in subsequent revisions, there is something pure and deeply personal about the first draft that I hate to let go.

Q: What are some of your favorite books or authors to read? Which books or authors have influenced your writing?

A: Hilary Mantel, Kate Mosse, Colm Tóibín, Anne Enright, Mary Doria Russell, Elizabeth Gilbert, Lily King, Dani Shapiro, Tim Winton, Cormac McCarthy, Jane Austen, William Shakespeare, Thomas Hardy, Jess Walter. I tend to binge on authors. Last year it was Elena Ferrante and Francesca Marciano. This year I’ve joined an online group reading a Virginia Woolf work each month. I’m not a writer of historical fiction per se, so my influences cross a broad spectrum of styles. Many of my favorite historical novels are written by authors whose work spans categories and genres. Hilary Mantel blows my mind. In Wolf Hall and Bring Up the Bodies, set in 16th-century England, she opens up her world, sets a tone, and gets on with it. The “historical fiction” aspect of her work never dominates the characters and their stories. David Guterson’s Snow Falling on Cedars showed me how creating a sense of place can be poetic, and how to connect readers viscerally with an era through the emotional power of character. Mary Doria Russell. Shoot. There’s nothing she can’t do. Ditto Margaret Atwood!

Reading is not only my escape, I consider it an essential part of my job description as a writer. I have at least two books going at any one time, a novel, a volume of poetry, and some sort of writing guide as inspiration and motivation.

Q: What one piece of advice would you share with aspiring authors?

A: It takes a village to publish a book. No matter which path to publishing you take, traditional or independent, you cannot do it alone. Find mentors—writers at different stages of their careers—and listen, watch, learn. Ask questions, be humble, and don’t wait—reach out now. Writers’ blogs, Facebook groups, Twitter chats are all great resources for connecting with writers and finding your tribe. Reach out in both directions—up and back. Always be willing to help someone right behind you.

And always, always be working on your next story. Don’t sit hitting refresh on your e-mail when you begin sending out queries or your novel is on submission with editors. The process can take months, a couple of years, even. Always be writing the next book. The first thing my now-agent asked me after reading and expressing enthusiasm for In Another Life was, “What else do you have?” I sent her a draft of my second novel and I had an offer of representation by the end of the week.

The Crows of Beara is “a captivating tale of our yearning to belong and the importance of following this ancient call” (award-winning author Kathryn Craft), and “like Ireland itself, The Crows of Beara pulls at something deep inside the reader and won’t let go” (USA Today bestselling author Kelli Estes).

Learn more about Julie and The Crows of Beara here

Our 2017 Siskiyou Prize judge is Jonathan Balcombe

By Midge Raymond,

We are thrilled to announce that our 2017 Siskiyou Prize judge is Jonathan Balcombe.

Jonathan’s most recent book is the New York Times bestseller What a Fish Knows: The Inner Lives of our Underwater Cousins, an extraordinary journey underwater that reveals the vast capabilities of fishes. He is also the author of the books The Exultant Ark, Second Nature, Pleasurable Kingdom, and The Use of Animals in Higher Education.

Jonathan has three biology degrees, including a PhD in ethology (the study of animal behavior) from the University of Tennessee, and has published more than 50 scientific papers on animal behavior and animal protection. Formerly department chair for Animal Studies with the Humane Society University and senior research scientist with the Physicians Committee for Responsible Medicine, Jonathan is currently Director of Animal Sentience with the Humane Society Institute for Science and Policy in Washington, DC. Learn more at jonathan-balcombe.com.

This year marks our fourth annual Siskiyou Prize, and we are delighted to be offering a $1,000 prize and a four-week writing residency thanks to the generosity of our amazing prize partner PLAYA. All manuscripts submitted for the prize will be considered for publication by Ashland Creek Press.

Please visit the Siskiyou Prize website for complete details about the prize — submissions open September 1, 2017. We look forward to reading your work!

Announcing the winner of the 2016 Siskiyou Prize!

By Midge Raymond,

We are delighted to announce the winner of the 2016 Siskiyou Prize for New Environmental Literature: Katy Yocom, for her novel THREE WAYS TO DISAPPEAR.

Judge JoeAnn Hart writes, “THREE WAYS TO DISAPPEAR begins with a focused lens on the endangered Bengal tiger then expands its reach with every page to reveal the interconnectedness of the natural world and fragility of all life. Weaving together the worn threads of ecological balance, this ambitious and moving novel addresses scarcity, climate change, family dynamics, cultural conflict, human accountability, women’s economic autonomy, and most of all, love, in all its wondrous forms. This is a story not just about saving the tigers, but ourselves.”

Katy Yocom was born and raised in Atchison, Kansas. After graduating from the University of Kansas with a degree in journalism, she moved to Louisville, Kentucky, where she has lived ever since. Her fiction, poetry, essays, and journalism have appeared in Salon.com, The Louisville Review, decomP magazinE, StyleSubstanceSoul, and Louisville Magazine, among other publications.

In conducting research for her novel, THREE WAYS TO DISAPPEAR, she traveled to India, funded by a grant from the Elizabeth George Foundation. She has also been awarded grants from the Kentucky Foundation for Women and the Kentucky Arts Council and has served as writer-in-residence at Kimmel Harding Nelson Center for the Arts, Crosshatch Hill House, and Hopscotch House. Her short fiction has been nominated for a Pushcart Prize, and her poetry has been translated into Bulgarian. She holds an MFA in Writing from Spalding University.

She lives with her husband in Louisville, Kentucky, where she helps direct Spalding’s low-residency MFA in Writing program. Learn more about Katy on her website and via Facebook.

As the Siskiyou Prize winner, Katy will receive a four-week residency at PLAYA and a $1,000 cash prize.

It was a very competitive contest this year, and we would also like to congratulate the finalists and semifinalists:

 

FINALISTS

Small Small Redemption: Essays by Sangamithra Iyer

The Heart of the Sound: A memoir by Marybeth Holleman (published by Bison Books)

Song of the Ghost Dog: A YA novel by Sharon Piuser

SEMIFINALISTS

Karstland: A novel by Caroline Manring

Rumors of Wolves: A novel by C.K. Adams

The Harp-Maker of Exmoor: A novel by Hazel Prior

 

Thanks to everyone who submitted and to everyone who writes with the goal of making this world a better place. And please stay tuned for announcements for the next Siskiyou Prize!