That’s right — June 23 is World Typewriter Day. And we’re celebrating with a special promotion for our vintage typewriter notecards.
This mixed set of 12 notecards features three each of these antique typewriters: the Remington Rand Portable (circa 1940) and the L.C. Smith & Corona Model 8 (circa 1929), both from our own collection, as well as The Chicago (1899) and the Crandall, New Model (1886), from the spectacular Martin Howard Collection.
This Typewriter Day special saves you 40 percent (or more, depending on how many boxes you order), and shipping is free for all U.S. orders. (If you’re a typewriter aficionado who lives outside the U.S., please contact us!)
Wishing you all a very happy Typewriter Day.
I want to first thank everyone who has submitted so far to our second edition of the Among Animals anthology.
We’re continually impressed by the quality of the stories we’ve received. It’s especially gratifying to hear from those writers who “get” what it is we’re trying to achieve with this collection.
That said, we’re still looking for more writers who share our vision.
You can submit your short story (there’s no reading fee) here. Note that we will accept previously published stories just so long as you you hold the rights.
And if you have any questions, please contact us. We look forward to reading your stories!
A Q&A with Earth Joy Writing author Cassie Premo Steele
Q: What is Earth Joy Writing?
A: It is a way of interacting with the natural world that brings about empowerment, healing, and personal change. Nature has always been a source of comfort, inspiration, and wisdom for me. I wanted to be able to share that—teach that—to others.
Q: How the book come into being?
A: I started writing Earth Joy Writing in 2008 while teaching classes in ecopoetry and ecofeminism at the University of South Carolina’s Green Quad for Sustainable Futures. I continued working on it over the next few years and presenting workshops with exercises from the book to various groups, including more than a year’s worth of monthly workshops at Saluda Shoals Park in South Carolina. The book is very much a balance of theory and practice, tested in university and community settings, and accessible to a wide audience.
One of the best experiences I had while writing the book was being in Short Hills Mall in New Jersey, and a saleswoman asked me how I liked living in South Carolina. I responded, “I like it a lot. We have nature there.” She looked around, thinking, and then said, “Oh, yes, we used to have that store here, but it closed.”
I think we are feeling an increasing anxiety about the natural world, and we’re not sure what to do about it. We listen to news reports, and we can feel helpless. I wrote this book to help with our fears. I truly believe that when we begin to see nature not as a “thing” that can be bought and sold but as a living being in relationship with us, we begin to heal not only the Earth, but ourselves.
Q: How would you describe the book to readers and aspiring writers?
A: Earth Joy Writing is a new version of The Artist’s Way for the green generation. In the years since the hugely successful Artist’s Way hit the market, three important changes have occurred. First, our lives are much more interconnected on a daily basis through the Internet and social marketing networks. Second, we are highly aware of the grave dangers our environment faces. Third, we can sense a surge in a collective desire for community. This book addresses all these needs for readers—to live a harmonious and balanced life despite the vast changes happening around them, and to connect with others and the earth in meaningfully creative ways.
It is a hopeful book. It is practical. It has been tested. It leads to healing. It is not just for writers or naturalists. It is for the person who wants to live life more meaningfully.
I found this usability study very interesting and very relevant to writers.
According to the study:
The flipside of this is important to be mindful of: users won’t necessarily consider the product with the highest rating average the best-rated one. Indeed, during our 1:1 usability tests, the subjects often show greater disposition towards some products with 4.5-star averages than some with perfect 5-star ratings due to the number of votes these averages are based on.
For instance, most subjects would pick a sleeping bag with a 4.5-star rating average based on 50 reviews over other sleeping bags with perfect 5-star ratings that were only based on a few reviews – they simply didn’t find the latter to be trustworthy.
So, authors — don’t worry so much if you don’t receive all 5-start ratings. Focus your energy instead of getting as many reviews as you can, because the number of reviews matters as much as the aggregate rating itself, if not more so.
How to get reviews? Simply ask anyone who tells you they loved your book to “go public” with their admiration, whether on Amazon, Goodreads, B&N, etc. Most non-writers don’t realize how helpful it is to have good reviews on online retail sites, and most are happy to help!
We are thrilled to announce that the second annual Siskiyou Prize for New Environmental Literature is now open for submissions!
Last year we had a great turnout, and we hope this year is even better. (To learn about last year’s winner and finalists, click here.) It’s wonderful to see so many fine writers tackling the issues of the environment and animal protection through great stories, novels, memoirs, and essays.
This year, we’re delighted to have Ann Pancake as our final judge. (If you haven’t read her amazing novel, Strange As This Weather Has Been, about mountaintop removal mining, get yourself a copy right now; this gorgeous, important novel is among the best of contemporary environmental literature.)
The 2015 prize winner will receive $1,000, a four-week residency at PLAYA, and an offer of publication from Ashland Creek Press. Visit the Siskiyou Prize website for complete details and to submit.
Also, please note that we will be closing for regular submissions as of March 15 in order to focus on prize submissions — so if you’d like to submit a non-prize entry, feel free to do so before the Ides of March. (Regular submissions will open again after the prize closes.)
We look forward to reading your work!